{"id":468,"date":"2016-06-15T11:54:11","date_gmt":"2016-06-15T09:54:11","guid":{"rendered":"http:\/\/intersections.es\/?page_id=468"},"modified":"2018-09-06T13:17:36","modified_gmt":"2018-09-06T11:17:36","slug":"publications","status":"publish","type":"page","link":"https:\/\/intersections.es\/?page_id=468","title":{"rendered":"Publications"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;3.0.74&#8243; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221;][et_pb_row make_fullwidth=&#8221;on&#8221; _builder_version=&#8221;3.2&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_accordion _builder_version=&#8221;3.2&#8243; body_font=&#8221;|800|||||||&#8221; body_font_size=&#8221;50&#8243;][et_pb_accordion_item open=&#8221;on&#8221; open_toggle_text_color=&#8221;#ffffff&#8221; open_toggle_background_color=&#8221;#7a10a0&#8243; _builder_version=&#8221;3.2&#8243; title_text_shadow_horizontal_length=&#8221;0em&#8221; title_text_shadow_vertical_length=&#8221;0em&#8221; title_text_shadow_blur_strength=&#8221;0em&#8221; body_text_shadow_horizontal_length=&#8221;0em&#8221; body_text_shadow_vertical_length=&#8221;0em&#8221; body_text_shadow_blur_strength=&#8221;0em&#8221; text_shadow_style=&#8221;preset4&#8243;]<\/p>\n<h1><strong><span style=\"color: #ffffff;\">PUBLICATIONS<\/span><\/strong><\/h1>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; _builder_version=&#8221;3.0.47&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; column_padding_mobile=&#8221;on&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.12&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;justified&#8221; module_alignment=&#8221;left&#8221;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2018<\/strong><\/span><\/h2>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodr\u00edguez, Laura. \u201c\u2018Genealogies of Women\u2019: Discourses on Mothering and Motherhood in the Short Fiction of Mich\u00e8le Roberts\u201d en <em>Gender and Short Fiction: Women&#8217;s Tales in Contemporary Britain<\/em>. London and New York: Routledge, 2018. 102-122.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodr\u00edguez, Laura. &#8220;England&#8217;s Most Precious Gift: Virginia Woolf&#8217;s Transformations into Spanish&#8221;. <em>A Companion to World Literature<\/em>. Ed. Kenneth Seigneurie. Oxford: Blackwells, 2018.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodr\u00edguez, Laura. &#8220;Magic Realism and Experimental Fiction: From Virginia Woolf to Jeanette Winterson&#8221;, in Anne Fernald, ed. <em>The Oxford Handbook of Virginia Woolf<\/em>. Oxford: Oxford University Press, 2018 [forthcoming]<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodr\u00edguez, Laura. &#8216;&#8221;Thought in American and for the Americans&#8221;: Victoria Ocampo, <em>Sur <\/em>and European Modernism&#8217;, in Ana Falcato, ed. <em>Philosophy in the Condition of Modernism. <\/em>Londres: Palgrave, 2018: 167-190. <\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodr\u00edguez, Laura. \u201cVictorian Male Heroes and Romance in Elizabeth Bowen\u2019s Short Fiction\u201d. En <em>Tracing the Heroic through Gender<\/em>, Monika Mommertz, Thomas Seedorf, Carolin Bahr, Andreas Schl\u00fcter, eds. W\u00fcrzburg.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge and Laura Lojo Rodr\u00edguez. <a href=\"https:\/\/www.routledge.com\/Gender-and-Short-Fiction-Womens-Tales-in-Contemporary-Britain\/Sacido-Romero-Lojo-Rodriguez\/p\/book\/9781138093645\"><span style=\"color: #7a10a0;\"><em>Gender &amp; Short Fiction: Women\u2019s Tales in Contemporary Britain<\/em><\/span>.<\/a> Londres: Routledge.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido Romero, Jorge \u201cChapter 10: In a Different Voice: Janice Galloway\u2019s Short Stories\u201d. <em>Gender and Short Fiction: Women\u2019s Tales in Contemporary Britain<\/em>. Eds. J. Sacido and L. Lojo. New York: Routledge, 2018, pp. 191-214.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido Romero, Jorge y Laura Mar\u00eda Lojo Rodr\u00edguez. \u201cIntroduction\u201d. <em>Gender and Short Fiction: Women\u2019s Tales in Contemporary Britain<\/em>. Eds. J. Sacido and L. Lojo. New York: Routledge, 2018, pp. 1-14.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. \u201cLiminality in Janice Galloway\u2019s Short Fiction\u201d. <em>Zeitschrift f\u00fcr und Amerikanistik: A Quarterly of Language, Literature and Culture<\/em>. 66\/4 (2018). [Forthcoming]<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. <span lang=\"EN-GB\">\u201c<a href=\"https:\/\/www.thebottleimp.org.uk\/2018\/07\/an-interview-with-janice-galloway\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #7a10a0;\">An Interview with Janice Galloway<\/span><\/a>\u201d. <i>The Bottle Imp<\/i> 23 (June 2018)<\/span><\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. \u201cIntertextuality and Intermediality in Janice Galloway\u2019s \u2018Scenes from the Life\u2019 (<em>Blood 1991)\u201d. <\/em><em>Short Fiction in Theory and Practice <\/em>8\/1 (2018).<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; column_padding_mobile=&#8221;on&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.0.48&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.2&#8243;][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.0.47&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_accordion _builder_version=&#8221;3.2&#8243; body_font=&#8221;|800|||||||&#8221; body_font_size=&#8221;50&#8243;][et_pb_accordion_item open=&#8221;on&#8221; open_toggle_text_color=&#8221;#ffffff&#8221; open_toggle_background_color=&#8221;#7a10a0&#8243; _builder_version=&#8221;3.2&#8243; title_text_shadow_horizontal_length=&#8221;0em&#8221; title_text_shadow_vertical_length=&#8221;0em&#8221; title_text_shadow_blur_strength=&#8221;0em&#8221; body_text_shadow_horizontal_length=&#8221;0em&#8221; body_text_shadow_vertical_length=&#8221;0em&#8221; body_text_shadow_blur_strength=&#8221;0em&#8221; text_shadow_style=&#8221;preset4&#8243;]<\/p>\n<h1><strong><span style=\"color: #ffffff;\">PREVIOUS PUBLICATIONS<\/span><\/strong><\/h1>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][et_pb_text _builder_version=&#8221;3.2&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;justified&#8221; module_alignment=&#8221;left&#8221;]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2017<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201c<span style=\"color: #7a10a0;\"><a style=\"color: #7a10a0;\" href=\"http:\/\/www.miscelaneajournal.net\/index.php\/misc\/article\/view\/365\">Tourism and Identitary Conflicts in Monica Ali\u2019s\u00a0<em>Alentejo Blue<\/em><\/a><\/span>\u201d.\u00a0<em>Miscel\u00e1nea: A Journal of English and American Studies.\u00a0<\/em>vol. 53 (2017): 73-90.<br \/>\n<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cWriting to Historicize and Contextualize: The Example of Virginia Woolf\u201d.\u00a0<em>The Discipline, Ethics, and Art of Writing about Literature.\u00a0<\/em>Ed. Kirilka Stavreva. Gale-Cengage, Gale Researcher British Literature. Online. <\/span><\/li>\n<li><span style=\"color: #808080;\"><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia. \u201cAn Interview with A. L. Kennedy\u201d. <em>The Bottle Imp <\/em>22. Online at:<\/span> <span style=\"color: #7a10a0; font-family: Calibri, Helvetica, sans-serif; font-size: medium;\"><span id=\"x_divtagdefaultwrapper\"> <a id=\"LPlnk168298\" style=\"color: #7a10a0;\" href=\"https:\/\/www.thebottleimp.org.uk\/2017\/11\/interview-l-kennedy\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: medium;\"><span id=\"LPlnk168298\">https:\/\/www.thebottleimp.org.uk\/2017\/11\/interview-l-kennedy\/<\/span><\/span><\/a><\/span><\/span><\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2016<\/strong><\/span><\/h2>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cVirginia Woolf in Spanish-Speaking Countries\u201d in Jessica Berman, ed., <em>The Blackwell Companion to Virginia Woolf<\/em>. Oxford: Wiley-Blackwell, 2016, 446-480.<\/span><\/li>\n<li class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Rallo-Lara, Carmen, J. Sacido-Romero, L. Torres-Z\u00fa\u00f1iga and I. Andr\u00e9s Cuevas. <span lang=\"EN-GB\">\u201cWomen\u2019s Tales of Dissent: Exploring Female Experience in the Short Fiction of Helen Simpson, Janice Galloway, A. S. Byatt, and Jeanette Winterson\u201d.\u00a0<em>On the Move: Glancing Backwards to Build a Future in English Studies. <\/em><\/span>Aitor Ibarrola-Armendariz and Jon Ortiz de Urbina Arruabarrena (eds.). Bilbao: Servicio de Publicaciones de la Universidad de Deusto, 2016, 345-50.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\"><span style=\"color: #7a10a0;\"><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge.<\/span> &#8220;<a style=\"color: #7a10a0;\" href=\"https:\/\/www.atlantisjournal.org\/index.php?journal=atlantis&amp;page=article&amp;op=view&amp;path%5B%5D=256\">Ghostly Visitations in Contemporary Short Fiction by Women: Fay Weldon, Janice Galloway and Ali Smith<\/a><\/span>&#8220;. <em>Atlantis: A Journal of the Spanish Association for Anglo-American Studies<\/em>, 38.2 (Dec 2016): 83-102.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2015<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cLa po\u00e9tica del cuento en la primera mitad del siglo XX en Reino Unido: Virgina Woolf y Elizabeth Bowen\u201d. <em>Fragmentos de realidad<\/em>. Servicio de publicaciones de la Universidad, 2015: 111-125.<br \/>\n<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia. \u201cKitsch als Kitt: Die \u2018preposterous history\u2019 von Gilbert &amp; Sullivans The Mikado in Mike Leighs Topsy-Turvy\u201d [fertig gestellt], in: Kitsch und Nation eds. Kathrin Ackermann and Christopher F. Laferl; Bielefeld: [transcript], 2015.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge and Silvia Mieszkowski (eds.). <span style=\"color: #7a10a0;\"><a style=\"color: #7a10a0;\" href=\"https:\/\/brill.com\/abstract\/title\/32359\"><em>Sound Effects: The Object Voice in Fiction<\/em><\/a><\/span>. Leiden: Brill \/ Rodopi.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. \u201cThe Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark,\u201d in J. Sacido-Romero and S. Mieszkowski, eds., <em>Sound Effects: The Object Voice in Fiction<\/em>. Leiden: Brill \/ Rodopi, 2015, 185\u2013214.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2014<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel Ma, Laura Lojo-Rodr\u00edguez and Carmen Lara-Rallo. \u201cThe Short Story and the Verbal-Visual Dialogue\u201d in E. \u00c1lvarez-L\u00f3pez (coord. and ed.), E. M. Dur\u00e1n-Almarza and A. Men\u00e9ndez-Tarrazo, eds., <em>Building International Knowledge. Approaches to English and American Studies in Spain<\/em>. AEDEAN\/Universidad de Oviedo, 2014, 261\u2013266.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel M. &#8220;<em>Modernism, Postmodernism, and the Short Story in English<\/em>, ed. Jorge Sacido\u201d. <em>Miscel\u00e1nea: Revista de Estudios Ingleses y Norteamericanos<\/em> 50 (2014): 173\u2013177.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen, Laura Lojo-Rodr\u00edguez and Isabel Andr\u00e9s Cuevas). \u201cThe Short Story and the Verbal-Visual Dialogue\u201d in Esther \u00c1lvarez L\u00f3pez et al., eds., <em>Building Interdisciplinary Knowledge. Approaches to English and American Studies in Spain<\/em>. Oviedo: KRK Ediciones, 2014 261\u201365.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201c<span style=\"color: #7a10a0;\"><a style=\"color: #7a10a0;\" href=\"http:\/\/www.zaa.uni-tuebingen.de\/?page_id=5\">\u2018The Saving Power of Hallucination\u2019: Elizabeth Bowen\u2019s \u201cMysterious K\u00f4r\u201d and Female Romance<\/a><\/span>\u201d. <em>Zeitschrift f\u00fcr Anglistik und Amerikanistik<\/em> 62.4 (2014): 273\u2013289.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201c<span style=\"color: #7a10a0;\"><a style=\"color: #7a10a0;\" href=\"http:\/\/www.nordicirishstudies.org\/publicationsbyyear.html\">Unveiling the Past: \u00c9il\u00eds N\u00ed Dhuibhne\u2019s \u2018Sex in the Context of Ireland<\/a><\/span>\u2019\u201d. <em>Nordic Irish Studies<\/em> 13.2 (2014): 19\u201330.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia. \u201cFeudal Furies: Interpellation and Tragic Irony in Shakespeare\u2019s Coriolanus\u201d. <em>Zeitspr\u00fcnge<\/em> 18 (2014), Vol. 3\/4, 333\u2013348.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia. \u201cQueerIng Ads? Imagepflege (in) der heteronormativen Gesellschaft,\u201d in J\u00f6rn Arendt, Lutz Hieber and York Kautt, eds., <em>Kampf um Images: Visuelle Kommunikation in gesellschaftlichen Konfliktlagen<\/em>. Bielefeld: transcript, 2014, 117\u2013136.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia. \u201cWas war und ist Homosexualit\u00e4tsforschung?\u201d in Jenniver Evans, R\u00fcdiger Lautmann, Florian Mildenberge and Jakob Past\u00f6tter Homosexualit\u00e4t, eds., <em>Spiegel der Wissenschaften<\/em>. Hamburg: M\u00e4nnerschwarm Verlag, 2014.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia.<em>Resonant Alterities: Sound, Desire and Anxiety in Non-Realist Fiction<\/em>. Bielefeld: [transcript], 2014.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Torres-Z\u00fa\u00f1iga, Laura. \u201cAutofiction and Jouissance in Tennessee Williams\u2019s \u2018Ten Minute Stop\u2019\u201d <em>The Tennessee Williams Annual Review<\/em> (2014).<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Torres-Z\u00fa\u00f1iga, Laura. \u201cSea and sun and maybe \u2013 Quien sabe! Tennessee Williams and Spain\u201d in J.S. Bak, ed., <em>Tennessee Williams in Europe: Intercultural Encounters<\/em>, Transatlantic Exchanges. Rodopi, 2014.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2013<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel Ma, Laura Lojo-Rodr\u00edguez and Jorge Sacido-Romero. \u201cParents Then and Now: Infantile and Parental Crises in the Short Fiction of Katherine Mansfield, Helen Simpson and Hanif Kureishi\u201d in R. Arias, M. L\u00f3pez-Rodr\u00edguez, C. P\u00e9rez-Hern\u00e1ndez and A. Moreno-Ortiz, eds., <em>Hopes and Fears. English and American Studies in Spain<\/em>. AEDEAN\/Universidad de M\u00e1laga, 2013, 304\u2013307.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Torres-Z\u00fa\u00f1iga, Laura. \u201cComida, mujeres y poder en la obra de Tennessee Williams\/Food, Women and Power in the Work of Tennessee Williams\u201d <em>Dossiers Feministes<\/em> 17 (2013).<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia. \u201cUnauthorised Intercourse: Early Modern Bed Tricks and their Under-Lying Ideologies\u201d. <em>Zeitschrift f\u00fcr Anglistik und Amerikanistik<\/em> 4 (2013): 319\u2013340.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Mieszkowksi, Sylvia. \u201cEve Kosofsky Sedgwick\u201d in Marianne Schmidbaur, Helma Lutz and Ulla Wischermann, KlassikerInnen Feministischer Theorie. Bd III (1986-Gegenwart). K\u00f6nigstein\/Taunus: Ulrike Helmer Verlag, 2013, 285\u2013291.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cExilio, historia, e a visi\u00f3n feminina: \u00c9il\u00eds N\u00ed Dhuibhne\u201d in Felipe Andr\u00e9s Aliaga S\u00e1ez, ed., C<em>ultura y migraciones: Enfoques multidisciplinarios<\/em>. Santiago de Compostela: Servicio de publicaciones de la Universidad, 2013, 178\u2013183.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen. \u201cIntertextual and Relational Echoes in Contemporary British Short Fiction\u201d. <em>Il Confronto Letterario<\/em> 60 sup. (2013): 119\u2013133.<\/span><\/li>\n<\/ul>\n<h2><\/h2>\n<h2 style=\"text-align: center;\"><\/h2>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2012<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel Ma, Laura Lojo-Rodr\u00edguez and Carmen Lara-Rallo. \u201cEscenarios de la memoria: espacio, recuerdo y pasado traum\u00e1tico\u201d in S. Mart\u00edn-Alegre, M. Moyer, E. Pladevall and S. Tuvau, eds., <em>At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference<\/em>. AEDEAN\/Universidad Aut\u00f3noma de Barcelona, 2012, 242\u2013245.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Torres-Z\u00fa\u00f1iga, Laura. \u201cMarried Folks They are; And Few Pleasures They Have\u2019: Marriage Scenes in O. Henry\u2019s Short Stories\u201d in Mauricio D. Aguilera-Linde, Mar\u00eda Jos\u00e9 de la Torre-Moreno and Laura Torres-Z\u00fa\u00f1iga, eds., <em>Into Another\u2019s Skin: Studies in Honor of M\u00aa Luisa Da\u00f1obeitia<\/em>. Granada: Editorial Universidad de Granada, 2012.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. (with C. Lara-Rallo and I. Andr\u00e9s Cuevas). \u201cNature in Late-Twentieth-Century English Short Fiction: Angela Carter, Margaret Drabble and A. S. Byatt\u201d. <em>Proceedings of the 38th AEDEAN Conference<\/em>.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. \u201cThe Boy\u2019s Voice and Voices for the Boy in Joyce\u2019s \u2018The Sisters\u2019\u201d. <em>Papers on Joyce<\/em> 17.18 (Dec 2012): 203\u2013242.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. \u201cModernism, Postmodernism, and the Short Story\u201d, in Jorge Sacido, ed. <em>Modernism, Postmodernism and the Short Story in English<\/em>. Amsterdam: Rodopi, 2012, 1-25.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge (ed.). Modernism, Postmodernism, and the Short Story in English. Amsterdam: Rodopi, 2012<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. (ed.). <em>Moving across a Century: Women\u2019s Short Fiction from Virginia Woolf to Ali Smith<\/em>. Bern: Peter Lang, 2012.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cRecovering the Maternal Body as Paradise: Mich\u00e8le Roberts\u2019s \u2018Charity\u2019\u201d. <em>Atlantis: A Journal of the Spanish Association of Anglo-American Studies<\/em> 34.2 (Dec 2012): 33\u201347.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen. \u201cThe Rebirth of the Musical Author in Recent Fiction Written in English\u201d. <em>Authorship<\/em> 1.2 (2012): 1\u20139.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen. \u201cThe Myth of Pygmalion and the Petrified Woman\u201d in Jos\u00e9 Manuel Losada and Marta Guirao, eds., <em>Recent Anglo-American Fiction. Myth and Subversion in the Contemporary Novel<\/em>. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012, 199\u2013212.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2011<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel Ma. \u201cVirginia Woolf\u2019s Ethics of the Short Story, by Christine Reynier\u201d. <em>Miscel\u00e1nea: Revista de Estudios Ingleses y Norteamericanos<\/em> 42 (2011): 173\u2013179.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel Ma and G. Rodr\u00edguez-Salas. <em>The Aesthetic Construction of the Female Grotesque in Katherine Mansfield and Virginia Woolf: A Study of the Interplay of Life and Literature<\/em>. Edwin Mellen Press: Lampeter, Ceredigion, 2011.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Sacido-Romero, Jorge. \u201cFailed Exorcism: Kurtz Spectral Status and Its Ideological Function in Conrad\u2019s \u2018Heart of Darkness\u2019\u201d. <em>Atlantis: A Journal of the Spanish Association for Anglo-American Studies<\/em>. 32.2 (Dec 2011): 43\u201360.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cVoices from the Margins: \u00c9il\u00eds N\u00ed Dhuibhne\u2019s Female Perspective in The Pale Gold of Alaska and Other Stories\u201d. <em>Nordic Irish Studies<\/em> 10 (2011): 35\u201340.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura and Jorge Sacido-Romero. \u201cThrough the Eye of a Postmodernist Child: Ian McEwan\u2019s \u2018Homemade\u2019\u201d. <em>Miscel\u00e1nea: A Journal of English and American Studies<\/em> 44 (2011): 107\u2013120.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen. \u201cDeep Time and Human Time: The Geological Representation of Ageing in Contemporary Literature\u201d in Brian Worsfold, ed.,<em> Acculturating Age: Approaches to Cultural Gerontology<\/em>. L\u00e9rida: Servicio de Publicaciones de la Universidad de L\u00e9rida, 2011, 167\u201386.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen. \u201c\u2018She thought human thoughts and stone thoughts\u2019: Geology and the Mineral World in A.S. Byatt\u2019s Fiction\u201d in Cedric Barfoot and Valeria Tinkler-Villani, eds., <em>Restoring the Mystery of the Rainbow. Literature\u2019s Refraction of Science<\/em>. Amsterdam and New York: Rodopi, 2011, 487\u2013506.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2010<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel Ma, Carmen Lara-Rallo and L. Filardo-Lamas. \u201cThe Shot in the Story: A Roundtable Discussion on Subversion in the Short Story\u201d in R. Gal\u00e1n-Moya et al., eds., <em>Proceedings of the 33rd Aedean International Conference<\/em>. Aedean\/Universidad De C\u00e1diz, 2010.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura, Manuela Palacios and M\u00aa Xes\u00fas Nogueira. <em>Creation, Publishing, and Criticism: The Advance of Women\u2019s Writing<\/em>. Bern: Peter Lang, 2010.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2009<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cThe Poetics of Motherhood in Contemporary Irish Women\u2019s Verse\u201d in Manuela Palacios and Laura Lojo-Rodr\u00edguez, eds., <em>Writing Bonds: Irish and Galician Women Poets<\/em>. Bern: Peter Lang, 2009, 123-142.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cMaking Sense of Wilderness: An Interview with Anne Le Marquand Hartigan\u201d in Manuela Palacios and Laura Lojo-Rodr\u00edguez, eds., <em>Writing Bonds: Irish and Galician Women Poets<\/em>. Bern: Peter Lang, 2009, 195\u2013204.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen. \u201cPictures Worth a Thousand Words: Metaphorical Images of Textual Interdependence\u201d. <em>Nordic Journal of English Studies. Special issue: \u201cIntertextuality\u201d<\/em> 8.2 (2009): 91\u2013110.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Lara-Rollo, Carmen. \u201cMuseums, Collections and Cabinets: \u2018Shelf after Shelf after Shelf\u2019\u201d in Caroline Patey and Laura Scuriatti, eds., <em>The Exhibit in the Text. The Museological Practices of Literature<\/em>. Bern: Peter Lang, 2009, 219\u201339. Series: Cultural Interactions.<\/span><\/li>\n<\/ul>\n<h2><\/h2>\n<h2 style=\"text-align: center;\"><\/h2>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2008<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Lojo-Rodriguez, Laura. \u201cVirginia Woolf\u2019s Female History in \u2018The Journal of Mistress Joan Martyn\u2019\u201d. <em>Short Story<\/em> 16.1 (2008): 73\u201386.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #7a10a0;\"><strong>2007<\/strong><\/span><\/h2>\n<ul>\n<li><span style=\"color: #4f4f4f;\">Andr\u00e9s-Cuevas, Isabel Ma. \u201cThe Duplicity of the City in O.Henry: \u2018Squaring the Circle\u2019 and \u2018The Defeat of the City\u2019\u201d in G. S. Castillo, M. R. Cabello et al., eds., <em>The Short Story in English: Crossing Boundaries<\/em>. Universidad de Alcal\u00e1 de Henares, 2007, 32\u201342.<\/span><\/li>\n<li><span style=\"color: #4f4f4f;\">Torres-Z\u00fa\u00f1iga, Laura. \u201cTennessee Williams\u2019 \u2018Something About Him\u2019 or the Veiled Diagnosis of an Insane Society\u201d in Mauricio D. Aguilera-Linde et al., eds., <em>Entre la creaci\u00f3n y el aula<\/em>. Granada: Editorial Universidad de Granada, 2007.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<br \/>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PUBLICATIONS 2018 Lojo-Rodr\u00edguez, Laura. \u201c\u2018Genealogies of Women\u2019: Discourses on Mothering and Motherhood in the Short Fiction of Mich\u00e8le Roberts\u201d en Gender and Short Fiction: Women&#8217;s Tales in Contemporary Britain. London and New York: Routledge, 2018. 102-122. Lojo-Rodr\u00edguez, Laura. &#8220;England&#8217;s Most Precious Gift: Virginia Woolf&#8217;s Transformations into Spanish&#8221;. A Companion to World Literature. Ed. Kenneth Seigneurie. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-468","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages\/468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/intersections.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=468"}],"version-history":[{"count":33,"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages\/468\/revisions"}],"predecessor-version":[{"id":846,"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages\/468\/revisions\/846"}],"wp:attachment":[{"href":"https:\/\/intersections.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}