[et_pb_section bb_built=”1″ background_image=”http:\/\/intersections.es\/wp-content\/uploads\/2015\/05\/J029PP7U7I_peq1.jpg” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” make_equal=”off” use_custom_gutter=”off” fullwidth=”off” specialty=”on” parallax_1=”off” parallax_2=”off” parallax_method_1=”off” parallax_method_2=”off” disabled=”off” custom_padding_tablet=”50px|0|50px|0″ custom_padding_last_edited=”on|desktop” next_background_color=”#ffffff”][et_pb_column type=”1_4″][et_pb_image admin_label=”Foto Isabel Andres-Cuevas” src=”http:\/\/intersections.es\/wp-content\/uploads\/2015\/07\/IMG-20160627-WA0008.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” sticky=”on” align=”center” max_width=”250px” force_fullwidth=”on” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ba75b0″ border_width=”3px” border_style=”solid” disabled=”off” animation_style=”slide” animation_duration=”500ms” animation_intensity_slide=”10%” animation_direction=”left” show_bottom_space=”off”]<\/p>\n
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[\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″][et_pb_row_inner admin_label=”Row” padding_mobile=”off” use_custom_gutter=”off” make_equal=”off” column_padding_mobile=”off” parallax_1=”off” parallax_method_1=”on” parallax_2=”off” parallax_method_2=”on” parallax_3=”off” parallax_method_3=”on” disabled=”off”][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″][et_pb_text admin_label=”Dr. Carmen Lara-Rallo” use_border_color=”off” disabled=”off” _builder_version=”3.2″]<\/p>\n
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has focused her research for the last few years on the short story in English by women writers. She is interested in Modernist fiction and, in particular, in the narrative of Virginia Woolf. She has co-authored a monograph on gender and the grotesque in the short fiction by Katherine Mansfield and the novels of Virginia Woolf. [\/et_pb_text][et_pb_text admin_label=”Research interests” use_border_color=”off” disabled=”off” _builder_version=”3.2″]<\/p>\n Research interests<\/span>:\u00a0the short story; gender studies; Modernism; women\u2019s fiction; carnival theory.<\/span><\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section bb_built=”1″ admin_label=”section” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”on” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” make_equal=”off” use_custom_gutter=”off” fullwidth=”off” specialty=”off” disabled=”off” custom_padding_tablet=”50px|0|50px|0″ custom_padding_last_edited=”on|desktop” prev_background_color=”#ffffff” next_background_color=”#000000″][et_pb_row admin_label=”row” make_fullwidth=”off” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” use_custom_gutter=”off” gutter_width=”3″ padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”on” make_equal=”off” column_padding_mobile=”on” parallax_1=”off” parallax_method_1=”on” parallax_2=”off” parallax_method_2=”on” parallax_3=”off” parallax_method_3=”on” parallax_4=”off” parallax_method_4=”on” disabled=”off” background_position=”top_left” background_repeat=”repeat” background_size=”initial”][et_pb_column type=”4_4″][et_pb_text admin_label=”Publications” use_border_color=”off” disabled=”off” background_position=”top_left” background_repeat=”repeat” background_size=”initial” _builder_version=”3.2″]<\/p>\n [\/et_pb_text][et_pb_text text_orientation=”justified” text_text_color=”#000000″ use_border_color=”off” disabled=”off” background_position=”top_left” background_repeat=”repeat” background_size=”initial” _builder_version=”3.2″]<\/p>\n 2017.\u00a0\u201c’<\/span>The Sap to Flow’: Nature and the Quest for the Female Self in Margaret Drabble’s ‘The Merry Widow’\u201d<\/span>\u00a0in J. Ros Velasco. New York: Nova Science Publishers, Inc. \u00a0978-53612-058-5.\u00a0<\/span><\/p>\n 2014.\u201cModernism, Postmodernism, and the Short Story in English, ed. Jorge Sacido\u201d. Miscel\u00e1nea: Revista de Estudios Ingleses y Norteamericanos 50 (2014): 173\u2013177.<\/span><\/p>\n 2014. (with L. Lojo-Rodr\u00edguez and C. Lara-Rallo). \u201cThe Short Story and the Verbal-Visual Dialogue\u201d in E. \u00c1lvarez-L\u00f3pez (coord. and ed.), E. M. Dur\u00e1n-Almarza and A. Men\u00e9ndez-Tarrazo, eds., Building International Knowledge. Approaches to English and American Studies in Spain. AEDEAN\/Universidad de Oviedo, 2014, 261\u2013266.<\/span><\/p>\n 2013. (with L. Lojo-Rodr\u00edguez and J. Sacido-Romero). \u201cParents Then and Now: Infantile and Parental Crises in the Short Fiction of Katherine Mansfield, Helen Simpson and Hanif Kureishi\u201d in R. Arias, M. L\u00f3pez-Rodr\u00edguez, C. P\u00e9rez-Hern\u00e1ndez and A. Moreno-Ortiz, eds., Hopes and Fears. English and American Studies in Spain. AEDEAN\/Universidad de M\u00e1laga, 2013, 304\u2013307.<\/span><\/p>\n 2012. (with L. Lojo-Rodr\u00edguez and C. Lara-Rallo). \u201cEscenarios de la memoria: espacio, recuerdo y pasado traum\u00e1tico\u201d in S. Mart\u00edn-Alegre, M. Moyer, E. Pladevall and S. Tuvau, eds., At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference. AEDEAN\/Universidad Aut\u00f3noma de Barcelona, 2012, 242\u2013245.<\/span><\/p>\n 2011. (with G. Rodr\u00edguez-Salas). The Aesthetic Construction of the Female Grotesque in Katherine Mansfield and Virginia Woolf: A Study of the Interplay of Life and Literature. Edwin Mellen Press: Lampeter, Ceredigion, 2011.<\/span><\/p>\n 2011. \u201cVirginia Woolf\u2019s Ethics of the Short Story, by Christine Reynier\u201d. Miscel\u00e1nea: Revista de Estudios Ingleses y Norteamericanos 42 (2011): 173\u2013179.<\/span><\/p>\n 2010. (with C. Lara-Rallo and L. Filardo-Lamas). \u201cThe Shot in the Story: A Roundtable Discussion on Subversion in the Short Story\u201d in R. Gal\u00e1n-Moya et al., eds., Proceedings of the 33rd Aedean International Conference. Aedean\/Universidad De C\u00e1diz, 2010.<\/span><\/p>\n 2007. \u201cThe Duplicity of the City in O.Henry: \u2018Squaring the Circle\u2019 and \u2018The Defeat of the City\u2019\u201d in G. S. Castillo, M. R. Cabello et al., eds., The Short Story in English: Crossing Boundaries. Universidad de Alcal\u00e1 de Henares, 2007, 32\u201342.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Dr.\u00a0Isabel Mar\u00eda Andr\u00e9s-Cuevas has focused her research for the last few years on the short story in English by women writers. She is interested in Modernist fiction and, in particular, in the narrative of Virginia Woolf. She has co-authored a monograph on gender and the grotesque in the short fiction by Katherine Mansfield and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-358","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages\/358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/intersections.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=358"}],"version-history":[{"count":14,"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages\/358\/revisions"}],"predecessor-version":[{"id":366,"href":"https:\/\/intersections.es\/index.php?rest_route=\/wp\/v2\/pages\/358\/revisions\/366"}],"wp:attachment":[{"href":"https:\/\/intersections.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span><\/p>\nPublications<\/span><\/strong><\/h1>\n